One of the major issues for the Portland Area community is the lack of an adequate meeting place. The shop, pub and community centre are all closed and boarded up - and so we had hoped to hold our events a little bit outside the area - at the Cobridge Coronation Club. In the end the club was not available, and as a result - we have had to create a temporary pop up workshop space, in the form of a large bell tent.
That said, our pop up tent has proved to be a great space for a workshop - and has activated a newly developed green space in the area.
The lino plaques are based on the Victorian Language of flowers (which I have been using within my work for some time now).
There are two plaques - one which has a design of a yellow carnation on it says 'needs work' - because in the Victorian language of Flowers you would give yellow carnations to express disappointment - and then a white camelia on the other - which says 'works' as the white camelia expresses perfection.
These were used at the drop in session to talk to people about the area - and ask them to say what works and what needs work here - which would eventually be added to our ceramic map, expressing a community's feelings about itself.
The session was also used to let people know about the other sessions - and invite them along. There was a lot of really positive thought about the area - with many people mentioning how friendly people are here, the location and proximity to city centre were mentioned, and the new developments with the green space and park were all described as positives. Things which needed work centred around fly tipping, litter, dog poo and some anti social behaviour and drug problems in the area - and again, mentioned a number of times was the need for a community meeting place.
The fired plaques look great - and are now waiting to be glazed, before being added to the map, and potentially shown at BCB 2015. The first session was really good, and thanks to Alice Thatcher and Kornelia Herms who were brilliant help.
The first was a walk around the area - where we each had a map - and an idea to locate one good and one bad thing (physically) in the area, and then to select a plant from nearby to act as a marker for that thought - creating our own language of flowers of the area.
Then the next day we created Faces of the Community. Myself and Kornelia spent the afternoon on Wednesday after the plant workshop making lino stamps of eyes, noses and mouths to be used the next day.
They were used to create an impression in the clay, and then coloured oxides and tools were used to add extra details.
This session was really fruitful, as we were able to begin discussion about how to move forward with community plans and aspirations for a community space of some kind. The night before I attended a steering group meeting, where the council asked if the community would be interested in taking on the old shop (currently standing derelict in the middle of Denbigh Street) as a community enterprise and meeting space, and we were able to offer to gather thoughts on this, and other community initiatives during the community maker project.
With this in mind, the next two community maker sessions will focus on ideas for a community shop space, and considerations of what a community needs to thrive, then the next two sessions after that, we will look at considerations for an environmental budget which the council has to spend in the area - and which they want to consult the community over what it should be spent on.
Then our final event locally for 8th August is planned as another community picnic event - and will involve the planting of a community flower bed (plus we will make some plant markers in clay) as well as the first community tea party - which the Portland Street Community Group will be helping with. So far the project is going extraordinarily well - and though it is a lot of work - I am really enjoying it.
We have generated lots of imagery, which could potentially be used on our community maker table ware - and then, if the coincidence about Enid Seeney (Homemaker Designer) being trained at Spode wasn't enough - it also turns out that she was once courting Andrew (my partner)'s Dad! June (Andy's Mum) was shocked to discover the links we were making to Enid's pattern, and told us this amazing piece of family history and connection - she said she has a super 8 video of Enid and her husband paddling in the sea in Devon, from a visit Andy's Father made years ago. I hope we can dig that footage out - she also mentioned that it had been a shame that Enid had not gone back to ceramics after being married. I am sure that this part of the project will become important, but at the moment - it is just so strange!
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